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Oliver used a similar effect in a tune he had written called Hobo Flats, web design where the melody was played up high by unison trumpets, with other unison instruments one whole tone lower. The two fast movements of the Berlin Suite had been written almost exclusively in counterpoint, featuring the trumpets. The passages went on so long, and were so difficult to play web design that I feared the five trumpets would be unable to perform them properly. In the event they came off web design rather well, with the nimble-fingered players dragging the not-so-nimble along with them, rather in the way the two Jimmys, Watson and Deuchar, had hustled me along so long ago in the Parnell band. I praised Oliver for his daring. ‘If it sounds good, do it,’ he said. I learned a lot of things about arranging from Oliver. Conquering fear was one of them. I had long been loud in my efforts to get a decent recorded trumpet sound from these radio station engineers.
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