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‘Right! Let’s go,’ said David briskly. He had, by now, painstakingly unfolded a monster score right across the music stands from right to left, and was standing staring at the first page, sucking in his lips reflectively, mark horowitz and humming to himself. ‘Ah—is it ad lib for us, or what?’ said Fatty. ‘Oh! Sorry!’ He gave each of us a photocopy of the score, all fifty-seven mark horowitz pages of it. On the top it said M-1, like it does on all the best film scores. The paper looked as if millions of ants mark horowitz had marched with inky feet backwards and forwards across it. On the trumpet part, which I was obviously expected to extract and transpose from the score myself, I could not see any tacet bars, neither could I detect any recognisable musical phrase or sequence. ‘I’ll explain it as I go along,’ said David.
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